Griever
Griever de Hocus, accompanied by his rooster, Matteo Ricci, plays havoc with the monolithic institutions of the People’s Republic of China in Vizenor’s inspired retelling of the classic Chinese Journey to the West. Fiction.
Griever de Hocus, accomopanied by his rooster, Matteo Ricci, plays havoc with the monolithic institutions of the People's Republic of China in Vizenor's inspired retelling of the classic Chinese Journey to the West.
"Much of the American experience of the New Post-Cultural Revolution in China is related with devastating comic irony. The sights, sounds, and smells of the land are often unerringly captured by the author's lean, laconic prose." Los Angeles TimesOriginal: $23.99
-65%$23.99
$8.40Griever
Griever de Hocus, accompanied by his rooster, Matteo Ricci, plays havoc with the monolithic institutions of the People’s Republic of China in Vizenor’s inspired retelling of the classic Chinese Journey to the West. Fiction.
Griever de Hocus, accomopanied by his rooster, Matteo Ricci, plays havoc with the monolithic institutions of the People's Republic of China in Vizenor's inspired retelling of the classic Chinese Journey to the West.
"Much of the American experience of the New Post-Cultural Revolution in China is related with devastating comic irony. The sights, sounds, and smells of the land are often unerringly captured by the author's lean, laconic prose." Los Angeles TimesProduct Information
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Description
Griever de Hocus, accompanied by his rooster, Matteo Ricci, plays havoc with the monolithic institutions of the People’s Republic of China in Vizenor’s inspired retelling of the classic Chinese Journey to the West. Fiction.
Griever de Hocus, accomopanied by his rooster, Matteo Ricci, plays havoc with the monolithic institutions of the People's Republic of China in Vizenor's inspired retelling of the classic Chinese Journey to the West.
"Much of the American experience of the New Post-Cultural Revolution in China is related with devastating comic irony. The sights, sounds, and smells of the land are often unerringly captured by the author's lean, laconic prose." Los Angeles Times
